One question interview
We ask the author a single question, drawn randomly from our database. We present them all here for your reading pleasure. Think of it as an interview of the magazine itself.
Have a question you wish we’d ask? Submit it in the comments, and if we like it, we’ll throw it in the mix.
Q: What’s a typical drawing day like for you?
A: My typical drawing day consists firstly of exploratory doodles. It is all about finding an interesting silhouette and expanding upon happy accidents. When I am designing, I may have something in mind but allow my hand and imagination to do as they please. Drawing for me is fluid, uninhibited creativity.
Vincent Coviello‘s image “Earth, Air, and Fire” is the cover art for our September 2016 stories.
Q: What’s easier for you – imagining a happier world, or a darker one?
A: I mean, it’s not hard at all to imagine a better world than this—a world free of racism/sexism/homo- and transphobia/genocide/war/gun violence/etc. A lot of fiction draws our attention to issues by exaggerating the bad, making it worse (I mean how popular are YA Dystopias right now? How popular is 1984?). There’s a kind of escapism in that though, a tendency to say “Oh well at least real life isn’t that bad.” But I think some of the best speculative fiction, like Octavia E. Butler’s “Dawn,” shows us how horrifying our own human tendencies can be by putting them in contrast to a happier world, by showing how humans do not fit in a utopia.
Jeremy Packert Burke’s story “So, You’re In an Alternate Universe” was published in Metaphorosis on Friday, 26 August 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: Do you write things other than speculative fiction?
A: I have written and published scientific articles on my neuroscience research.
Santiago Belluco’s story “The Bonesetter” was published in Metaphorosis on Friday, 19 August 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: What’s your writing schedule?
A: My writing schedule is a work in progress at the moment. I set myself the target of writing at least 1,000 words a day when I’m working on a story. To start with, that meant hurriedly writing a few words here and a few words there throughout the day before finishing off whatever words I had left to write when the family went to bed on a night. With this story, I set the alarm early (about 5 in the morning) and tried to get the words done before I went to work. That seemed to work pretty well, so I might stick with that. Finding the time is always a struggle though, and can’t see that changing any time soon!
Mark Rookyard’s story “Out Where the Rivenbuds Grow” was published in Metaphorosis on Friday, 12 August 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: What would your animal totem be?
A: Every time I see a flamingo in the flesh, I get excessively happy. I could go on about their many wonderful traits, but I think what it really comes down to is their goofy legs and long squiggly necks. They can also fly, which sounds comical, but then ends up being majestic every time.
Chanel Earl’s story “Duet for Unaccompanied Cello” was published in Metaphorosis on Friday, 5 August 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: What was your favorite children’s book?
A: Clearly there are too many to choose just one. If pushed, though, I’ll go for ‘The Truck On The Track’ by Janet Burroway, wherein a fantastical circus troupe attempt to free their vehicle before it’s mown down by a train. Inevitably, they fail. The final orgy of destruction was always my favourite part as a child. The story has the quality of the best children’s (or adult) fiction, in that it’s entirely deranged; the cumulative rhyming form just adds to the weirdness. And there’s a yak involved. Tragically it seems to be out of print nowadays.
Matt Thompson’s story “Luminaria” was published in Metaphorosis on Friday, 29 July 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.