One question interview
We ask the author a single question, drawn randomly from our database. We present them all here for your reading pleasure. Think of it as an interview of the magazine itself.
Have a question you wish we’d ask? Submit it in the comments, and if we like it, we’ll throw it in the mix.
Q: What’s your favorite non-SFF book?
A: The Name of the Rose, by Umberto Eco.
Premee Mohamed’s story “The Last” was published in Metaphorosis on Friday, 22 July 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: How often do you think about writing during a day?
A: Depends on what I’m working on at the time. If I’m in the middle of a novel, I’m thinking about the story almost all day long, from the moment I wake up until the moment I go to sleep. Not constantly, but on and off through the day between writing sessions. The more often I can sustain the dream or trance, the faster I pick up where I left off when I sit down at the computer again. It’s far easier to finish a novel in a month this way, or three months for the longer works. If I’m between novels or short stories, I still think about writing, just not as often. I’m likely to become lost in a “what if” or a story fragment as waking dream while driving or cleaning. Long commutes are the best for coming up with new ideas or working out problems in a story.
Jeanette Gonzalez’s story “Serenity” was published in Metaphorosis on Friday, 15 July 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: Do you often include animals in your stories? What role do they play?
A: I hadn’t really noticed before, but yes I often do include animals in my stories. I suppose animals have always been a big part of my life, so it makes sense that they have found their way into my fiction. As for the role they play in my writing, I think having characters interact with animals (positively or negatively) is fertile ground for character building. Harming or helping an animal in a narrative carries serious emotional weight. Beyond that, I’m interested in themes relating to human beings’ interaction with and/or separation from the natural world. I think I’m often aiming for the animals in my writing to be emblematic of a broader sense of nature.
Jarod K. Anderson’s story “My Dog is the Constellation Canis Major” was published in Metaphorosis on Friday, 8 July 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: Where do you do your creative work?
A: Sketching can be done anywhere, except maybe on particularly shaky vehicles. For more polished pieces however, I’m chained to my desk and very reliant on my 27″ iMac and wacom tablet.
Ben Bronstein’s image “Thalassorama” is the cover art for our July 2016 stories.
Q: Duckbilled platypus – result of divine distraction, or alternate universe crossover?
A: Divine distraction–how else can you explain how freaking confused those things are?
Michael M. Jones’s story “Regarding the Sainted Pirate Nicholas” was published in Metaphorosis on Friday, 1 July 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.
Q: Do you use music for inspiration? If so what do you listen to?
A: Constantly. That is, I don’t consciously look to music for inspiration, but it helps me out all the same. I like to write (and read) with music on, and every now and then something will just jump out and suggest a story to me. Given that I’m not listening with my full attention, it’s a misheard lyric as often as not. Sometimes it’s a fragment of lyric that I repurpose. Either way, it goes down in the idea file for future use.
The only time I consciously set out to work from a song was with my first ever story, “Blind”, written in the 1980s (published in 2011). It’s a very literal interpretation of the Deep Purple song by the same name. In slightly more recent days, I stole Brian Setzer’s title “Drive Like Lightning…Crash Like Thunder” for a pair of pulpy SF adventures, and a line from Fred Eaglesmith’s “Seven Shells” for a children’s story.
Those artists give you a feeling for what I listen to: hard rock, rockabilly, and gloomy singer-songwriters. Throw in some classic country (Merle, Waylon) and some Euro-pop (Herbert Grönemeyer, Fiorella Mannoia), and that covers a lot of it.
B. Morris Allen’s story “Adaptations to Coastal Erosion” was published in Metaphorosis on Friday, 24 June 2016. Subscribe to our e-mail updates so you’ll know when new stories go live.