Table of Contents
- Scraps – Juliet Kemp
- Angels at the Border – Ian Rennie
- To the Eggplant Cannon – Beth Goder
- Canoes of Hava’iki – Steve Rodgers
Cover art by Candra Hope.
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Benjamin C. Kinney’s story “Shiplight” was published in Metaphorosis on Friday, 9 September 2016. Shiplight grew out of a different story, written but long-abandoned. A story about humanity’s first and only interstellar vessel, shuttling back and forth between worlds called Earth and Sea. But on its sixth outbound trip, the Ship was full of marines, and a crew cut off from both worlds by decades of time dilation. First, I wrote about the crew, fighting…
Q: From where you do you draw inspiration for your characters?
A: It really depends on the character and the story, but I believe I can narrow it down to three sources. Some characters are based on, or are composites of, people I know. With others the characterization comes from mе, although in such cases I try to be very careful not to reduce them to mouthpieces for my own opinions or ideas: perhaps infuse the character with a trait of my own personality, make them react like I would in a similar situation, but then I’d veer right off, forcing our personalities to diverge. (Side-note: I especially enjoy writing in the first person about characters decidedly unlike myself.) The third situation is when another work of fiction affects me to the point where I think up characters in response, as if saying, “The kind of characters I like to read about would never do that.”
All that said, most of the time I feel like characterization just happens spontaneously, right then and there, when I’m writing the scene, or perhaps during the long walks beforehand. I may start off with an idea of what a character is broadly about, but the Aha! moments — when you truly understand why your character acted the way they did — come much later.
Damien Krsteski’s story “Lake Oreyd” will be published in Metaphorosis on Friday, 24 March 2017. Subscribe to our e-mail updates so you’ll know when new stories go live.
Candra Hope is a freelance artist living and working in the north of Scotland. She specialises in fantasy, horror and science fiction illustration but also enjoys creating paintings inspired by her surroundings for galleries and exhibitions.
Candra Hope‘s image “Scraps” is the cover art for our April 2017 stories.
Timothy Mudie has never been to Woodstock or been abducted by aliens. He lives with his wife outside of Boston, where he works as an editor for a general interest publishing house.
Timothy Mudie’s story “Sundown on the Hill” will be published in Metaphorosis on Friday, 31 March 2017. Subscribe to our e-mail updates so you’ll know when new stories go live.
When Rose McAlder died at eighty-five, it took us all of an hour to congregate on her property, rubbing our hands and stamping our feet against the October chill. We hadn’t known it was she who had lived in the big old house on the corner of Seventh and Price all those years. When the news broke that morning—not only was Norbury’s local recluse dead, but she also happened to be a famous author—we poked…