About Timothy Mudie

Timothy Mudie has never been to Woodstock or been abducted by aliens. He lives with his wife outside of Boston, where he works as an editor for a general interest publishing house.


Timothy Mudie’s story “Sundown on the Hill” will be published in Metaphorosis on Friday, 31 March 2017. Subscribe to our e-mail updates so you’ll know when new stories go live.

The Lost Heirs of Rose McAlder – Kate Lechler

When Rose McAlder died at eighty-five, it took us all of an hour to congregate on her property, rubbing our hands and stamping our feet against the October chill. We hadn’t known it was she who had lived in the big old house on the corner of Seventh and Price all those years. When the news broke that morning—not only was Norbury’s local recluse dead, but she also happened to be a famous author—we poked…

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It came from B. Morris Allen

B. Morris Allen’s story “Dragons I Have Slain” was published in Metaphorosis on Friday, 2 September 2016. I’m a big fan of Deep Purple, and of many of its component members, including the late Jon Lord (keyboards). I was listening to his album Pictured Within early one morning after dropping my wife off at the airport. The title song is beautiful, but it includes the line “There are dragons I have slain”. It works in…

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A question for Angus Cervantes

Q: Do you often include children in your stories? What role do they play?

A: Yes, I do, very often, include children in my writing. I have two small daughters and when they came into the world, everything changed entirely. That change was a vast surprise to me, and probably the biggest event of my life.

I think children evoke a completely non-rational principle that most everyone agrees on: we protect children. By “non-rational” I mean that there might sometimes be logical arguments for allowing children to be harmed … but in those cases, logic can go jump in front of a train: we protect children. Should we risk the lives of ten adults to save one drowning child? Yes. And count me in.

So children can represent a universal truth, a shared humanity, an absolute. These days, with post-modern post-everything uncertain, I find that certainty very comforting. Of course, children, about whom we care so much, are also dreadfully vulnerable, and I find that unsettling.

Children evoke strong feelings. That’s a useful role in writing.


Angus Cervantes’s story “Bad News from the Future” was published in Metaphorosis on Friday, 17 March 2017. Subscribe to our e-mail updates so you’ll know when new stories go live.