An additional question for Michael Gardner

Q: Can beautiful things be funny?

A: I think funny moments can be beautiful, so beautiful things must be funny.

As an example, I was trying not to laugh at my daughter the other day who was doing her best to avoid going to bed. I failed in my attempt to be stern, and ended up laughing at her antics, which made her laugh in return. I was wondering where she got her cheeky sense of humour. And in that moment, I realised she was growing up in front of me, becoming her own, unique person. I couldn’t help but think that sharing such a moment in her life was beautiful. As well as being funny.


Michael Gardner’s story “All That Remains
in Metaphorosis Friday, 21 August 2020.
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About B.C. van Tol

B.C. van Tol was grown in the Garden State. In her spare time–when she’s not writing–she avidly consumes science fiction and fantasy in all forms. She also enjoys dabbling in watercolors and hiking with her husband and rescue dog.

bcvantol.com, @bcvantol


B.C. van Tol’s story “Joy (Unplugged)
in Metaphorosis Friday, 28 August 2020.
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Calling Me Home – Spencer Nitkey

The entanglement circuit burns as it lights a fire right behind my eyes. I hear my daughter crying in the moments before the circuit switches. An imagined voice, I’m sure. Then the pain spreads like blood through my chest, and the stars outside the transport ship window slow, stop, and disappear. I come to in my bed back home. The baby monitor plays a low whine that crescendos into a full-scale cry. It is the …

It came from L. Chan

L. Chan’s story “Sonata I: Sona” was published in Metaphorosis on Friday, 31 January 2020. “Sonata” is one of the longest things that I’ve written (and completed). I don’t often work in the fantasy sandbox, I much prefer near future science fiction and contemporary fantasy. For “Sonata”, what preceded the story was the world building — a magic system that fell roughly as another aspect of the physical world, and where the control of that …

Yet another question for Evan Marcroft

Q: What happens when you hit writer’s block head on?

A: When I hit writer’s block head on, I usually realize that what I’m writing is boring. Not the entire story necessarily, but typically an event in that story, which is playing out too straightforwardly to spark my interest, a scene of transportation from one location to another, for example. I find that my writing surges when I’m describing something unusual, or depicting something commonplace from an uncommon angle. If I’m finding it hard to proceed, my go-to trick is to make it harder for myself. Rather than drive us to the new location from our protagonist’s perspective, I can hop into the perspective of a bird watching our hero drive through the narrow streets below, or from the point of view of the city beneath him, wincing as he steers his car through the folds of its asphalt brain. Sometimes the smoothest route towards what I want to accomplish is the more roundabout one.


Evan Marcroft’s story “Devilish Calliope and the Ungrooviest Apocalypse
in Metaphorosis Friday, 14 August 2020.
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Further about Michael Gardner

Michael Gardner is an economist by day, a writer of fantasy and horror by night. He lives in Canberra, Australia, with his patient wife and two wonderful kids. The experience of fatherhood continues to find its way into his stories. His work has appeared in Writers of the Future Volume 36, Aurealis, and of course, Metaphorosis. He is also a two-time finalist for the Aurealis Awards. You can find out more about Michael and his work at www.michael-s-gardner.com.


Michael Gardner’s story “All That Remains
in Metaphorosis Friday, 21 August 2020.
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